Luke Paul Carney

Pick me up and take me like a vitamin
supermodelgif:

I hate when people say this but I’m sorry: your faves wish they could

supermodelgif:

I hate when people say this but I’m sorry: your faves wish they could

(via fruka)


Flowers from the set of Jil Sander FW 2012


Can’t stop reblogging…

Flowers from the set of Jil Sander FW 2012

Can’t stop reblogging…

(via professorjr)

vroomheid:

Hussein Chalayan autumn / winter 1998
The aesthetical provocations of Hussein Chalayan border of the naturalism of the naked woman body, as it is in his shocking models from 1998 (gradually denuding from below, but constantly veiled from above). 
There are significant his inventive and definitely ethnical influenced interpretations of the ornaments for head – yashmaks, kerchiefs and helmets, in which the Islam customs sublime significant veils and veiling, as it is in the collections “Between” and “Panoramic”. Whether he will use kerchiefs or PVC masks it’s all the same. In all the cases it’s about one monotonous identity that erases human individuality and the possibility to be different.
photographed by david burton, makeup by pat mcgrath
© self service magazine archives, n°7

vroomheid:

Hussein Chalayan autumn / winter 1998

The aesthetical provocations of Hussein Chalayan border of the naturalism of the naked woman body, as it is in his shocking models from 1998 (gradually denuding from below, but constantly veiled from above).

There are significant his inventive and definitely ethnical influenced interpretations of the ornaments for head – yashmaks, kerchiefs and helmets, in which the Islam customs sublime significant veils and veiling, as it is in the collections “Between” and “Panoramic”. Whether he will use kerchiefs or PVC masks it’s all the same. In all the cases it’s about one monotonous identity that erases human individuality and the possibility to be different.

photographed by david burton, makeup by pat mcgrath

© self service magazine archives, n°7

(via intelligente)